Cara Delevingne, one of the most influential supermodels of the last decade and Denver Beast goddess, Joan Collins, is in underwear and asks cautiously: "I do not have to go back on stage , is not it? Then I can sneak out and watch the rest of the series. "
It actually has only a short appearance: in a frog green body with lace stockings of the same color, gloves that reach almost the armpit and fingers, small crystals seduce so alluring. The hair has been tied with a stem that ends in a heart. This is not easy to decipher if they can use it to spray fairy dust or slap a nasty customer on the naked bottom. In doubt, both.
It works here, playing drums does not bring anything to Unterwäschenmodenschau. In fact, it was thought that the genre had ended with the disappearance of Victoria's Secret: the number of viewers has been declining for years and the discourse has evolved. What a pretty, slender, curvaceous woman is an "angel" and can wear a diamond-encrusted bra that may interest only Misswahlen fans. But you have to be fair: there are still some. The brand has annual sales of more than $ 7 billion, while the Savage X Fenty brand has some $ 150 million.
But it has only been around for a year and behind it is one of the most successful and talented artists of her generation: the singer, producer and producer of Haitian origin Rihanna. She presented her Savage X Fenty collection at New York Fashion Week, with a show full of supermodels and pop stars, with mobile photos and social media banned, because a week later she wanted to release a documentary nearly an hour exclusively on Amazon Prime,
"The highlight in the coffin of Victoria's Secret," writes "New York Magazine," but the show and the way of presenting it to the world were more than that: it showed ways to show a completely new fashion can be thought, maybe need. There were a few hundred people in the room (the dancers in front, the dancers in the back), but on Amazon Prime, Rihanna reached 200 million people.
Above all, the tight critics of fashion announce the end of streetwear. Which only means that it was the dominant force of recent years. The other was the newcomers. Just two years ago, fashion designer Raf Simons questioned in an interview that DJ Virgil Abloh would become the creator of Louis Vuitton. But of course, you do not learn relevance in fashion schools, but in social media – or in the studio. The artist Sterling Ruby presented her first collection at the Pitti Uomo fashion show. The pioneers were Kanye West with Yeezy – and Victoria Beckham.
Anyone who was a member of the Spice Girls, although all the doors of the world are open – but you still have doubts after 20 popular collections and always called "Posh Spice". And each attempt to return to the tapsige of others has also changed their image. But those who have seen the family of the fashion designer, who launched her own line of cosmetics at the Victoria Beckham salon, can have no doubt: it's the current Modeadel! Sounds Brooklyn, Romeo and Cruz are sitting in the front row under the most beautiful and broad hairy leg, their daughter Harper with dad beaming in her lap and Anna Wintour has to bend a bit to not fall off the bench. Who can do so big, did it.
Rihanna is still a little further. Her line of cosmetics met with great success, as she proposed 40 color finishes (for as many skin tones) and thus found her theme, which is also the leitmotif of her underwear business: l & # 39; absolute inclusion. And earlier this year, she signed a contract with the luxury conglomerate LVMH.
"You can be introverted and outgoing in fashion," she says. "You hide in your art – and yet you shout." In reality, his show was a triumphant shout: the scene looked like a luxury hotel in Mykonos, with many stairs, platforms and arches, pop stars like Big Sean or A $ AP Stand up, a handful of dummies , especially the brilliant Laverne Cox and dancers / models in all skin colors and all body shapes.
But if you had to choose a super-heroine among these fat, skinny, coarse, spoiled, talented and beautiful women, then it would be choreographer Parris Goebel: millimeter hair, huge rose tattoo on the shoulder, Kugelstoßerinnenkörper. When she said that a few days before the show, there was no final yet, she laughed. "What I like the most about Parris' work is the power," Rihanna explains in the film about her colleague: "There is no finesse, no fragility, it's a slap. " His image of the woman is not clearer nor more rare. Express.
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